Guillermo Del Toro: The Horror Filmmaker ”Cabinet of Curiosities”

Guillermo del Toro has gained his time in the spotlight as a master of horror and an accomplished filmmaker; in this case, he is presided over “Guillermo del Toro’s Cabinet of Curiosities” on camera in the Alfred Hitchcockian manner.

The horror filmmaker Guillermo del Toro’s varied worldview is on display in “Cabinet of Curiosities.”

It’s unfortunate that the this eight-episode Netflix terror anthology lacks the vigour of the director’s filmmaking. With episodes that boast horrific special effects but unfinished narratives that don’t really stir the blood.

 Back-to-back episodes of “Cabinet of Curiosities” will be releasing on Netflix over the course of four consecutive evenings.

This novel approach proves to be more original, or at least unusual, than most of the storylines. There are two by the terror author H.P. Lovecraft, “Dreams in the Witch House” and “Pickman’s Model.” logically paired together for the third night, as well as two by del Toro himself, “Lot 36” and “The Murmuring.”

 Being able to translate Lovecraft clearly to the screen is a difficult task, as HBO’s “Lovecraft Country” showed, which essentially sums up the general complaints.

With a great cast that includes Tim Blake Nelson, F. Murray Abraham, Glynn Turman, Ben Barnes, as well as Andrew Lincoln, the tone is clearly macabre. Del Toro also personally selected each of the directors, who represent a diverse variety of endeavors and aesthetic preferences.

The stories, on the other hand, seem flimsy, with intriguing ideas that either don’t materialize or just run out of time. This lessens the effect of the specific filmmakers and gives the impression that the exercise, despite its potential, is generally unsatisfactory.

A wealthy hermit (Peter Weller) gathers a team of experts

Which is possibly the one that best demonstrates this. What is finally revealing after a night of extensive drug consumption is a significant letdown, a pattern “Cabinet” frequently repeats.

In contrast, “The Outside,” starring Kate Micucci as a painfully shy woman who longs to be recognizing by her snobby female coworkers, is the most intriguing or at least most “Black Mirror”-like title. However, she soon learns that the fix-your-life goods. She sees marketed on television (Dan Stevens makes a hilarious cameo as the spokesperson) come with significant complications.

The “Twilight Zone,” often resurrected and mimicked but never equaled, remains the gold standard for anthologies in this genre. So there is definitely a long but rich history of them, but that just raises the bar in in terms of expectations. The same goes for del Toro’s involvement. Whose filmography includes the Oscar-winning “The Shape of Water.” “Pan’s Labyrinth.” a true masterpiece, and a visually arresting aesthetic that unifies even his less successful works.

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