The Pera Palace Hotel and Midnight at Pera Palace a Turkish series
The Pera Palace Hotel and Midnight at Pera Palace is Turkish television series.

A Turkish-produced Netflix series titled Midnight At Pera Palace (Pera Palas’ta Gece Yarsi) debuted on the streaming service on March 3, 2022. With 8 episodes, the first season was broadcast. The series’ three main actors are Hazal Kaya, Tansu Biçer, and Selahattin Paşal. The series is a reimagining of Charles King’s 2015 novel “Midnight at Pera Palace.”
summarizing the Pera Palas’ta Gece Yarisi, or Midnight at Pera Palace

The Pera Palace Hotel is the subject of a story that Esra, a novice journalist, is tasked with writing. Esra travels to the hotel and finds out that one of the rooms she saw had a door leading to 1919. Esra, who can travel across time, learns about the coup against Mustafa Kemal Atatürk thanks to this amazing revelation. Modern Turkey was established by Mustafa Kemal Atatürk, who also halted a hostile invasion and protected the nation. Esra now has a responsibility to preserve Turkey’s historical and contemporary flow. Esra learns that nothing is as it seems when she meets a mystery man named Halit.
Evaluation of the Series
In 1919, during the closing years of the Ottoman Empire, Pera Palace is a historical drama series. We may conclude that the locations and outfits featured in the series were very carefully chosen and effectively capture the era. The cost of player selection is also high. The principal part is played by Hazal Kaya, a well-known actress in Latin America and the Middle East. Acting and copywriting, on the other hand, fall outside of this definition. In some instances, the performance seemed excessively staged. Particularly some of the additional players are not doing that well. However, there is a good reflection of Istanbul in 1919 and the crowd.
Regarding the plot, it was a challenging challenge to include the topic of “time travel,” which is uncommon in Turkish movies, into the narrative, however there are occasionally inconsistencies. It is vital to note, however, that the script has holes in it and that the plot can sometimes go along rather quickly.
Example: After a while, it is apparent that the characters discover the date of their arrival from the newspapers they locate nearby. The moment that sets off the entire plot of the attempted assassination is when Esra walks right up to the British soldiers’ table and informs them of Mustafa Kemal’s plan. A alternate solution for the attempted assassination and Esra’s becoming the focal point of the events may have been found instead of making such a grave error to the main character, especially a character who is meant to be portrayed as clever. Fortunately, the script argues that Esra believes she is dreaming and isn’t sure if she is travelling through time in this scenario. If we consider the absurd things we do in our dreams, the audience and I are compelled to laugh at this situation.
Despite the obvious screenplay flaws, it was definitely a good idea to avoid going into too much detail about how time travel works. The audience would become more aware of contradictions the more explanations there were. The series avoided scientific concerns and overemphasised logical flaws by basing itself on the fantasy genre rather than the science fiction subgenre.
The script contains other amusing details as well. For instance, Esra’s driving, the fact that women weren’t allowed to drive at the time, certain men’s reactions to it, and Esra’s response to these reactions are some of the humorous elements. Esra included a really wonderful touch by writing a letter of warning to Mustafa Kemal in Turkish; the soldier was unable to read it since the “Letter Revolution” had not yet occurred, but Mustafa Kemal was able to do it, presumably because it was an idea he had been thinking about for years.
The series deals with complex issues, but rather than giving the plot more depth, these complex issues force the subjects to branch out and disperse. The characters are always going back and forth in time, trying to stop the planned assassination attempt against Mustafa Kemal, on the other hand, trying to discover who killed the character of Peride, on the one hand, trying not to disturb and sometimes correct the timeline, on the other hand, they live a life of love. Our attention as readers shifts frequently due to this variety of issues, which is exhausting even while reading, and we occasionally lose track of the narrative.
No subject can be sufficiently explored because of the effort required to explain numerous topics at once. However, the script finally resolves all of these problems, and it does a fantastic job of it. When the show is ended, the only remaining unanswered questions are those that were purposefully left to make us ponder the second season.
Although the story’s development is generally a touch too predictable, it is made riveting by using traditional scenario approaches. It’s assumed that Season 2 of the show takes set in Istanbul during World War II. I hope it was helpful to you. We’d love to hear your opinions on the series.
The Pera Palace Inn

The hotel was situated in Pera’s Tepebaş neighbourhood, which is referred to as “Little Europe” because of its cultural and social activities, and had a stunning view of the Golden Horn. For the purpose of housing “Orient Express” travellers travelling between Paris and Istanbul, a luxurious hotel was constructed. In 1895, it was launched with a ball.
When the Pera Palace Hotel first opened as one of Istanbul’s most majestic structures, it was a pioneer in many ways: it was the first structure outside of Istanbul’s Ottoman palaces to have electricity brought to it, an electric elevator, and flowing hot water. Turkey’s first hotel by European standards, the Pera Palace Hotel, has been a witness to historical events since its founding and has evolved into one of the most significant cultural icons for the area.
Since 1917, Mustafa Kemal Atatürk has visited Pera Palace numerous times. On the occasion of the 100th anniversary of his birth in 1981, Room 101—which Atatürk used as his residence upon his return from the front, where he made crucial decisions for the nation and entertained his senior guests—was converted into a museum room where Atatürk’s personal effects are also on display. Because of this, the Pera Palace Hotel in Jumeirah is known as a “museum-hotel”.
The world’s most well-known author of crime fiction, Agatha Christie, frequented the Pera Palace Hotel Jumeirah between 1926 and 1932. During one of his stays, it is rumoured that he penned Murder on the Orient Express, one of his best-known books, in room 411. Her missing diary and the place she stayed in remain mysteries to this day. In honour of Christie, this area also features a reproduction of the diary’s key, which was later discovered here, as well as an antique typewriter. In the room, which is decorated in the hues of black and burgundy with antique furniture, there are also rare Agatha Christie books written in various languages and released in various years. Don’t forget to provide your feedback on the hotel and the television show.